the transnational popularity of K-dramas and emphasize the notion of soft masculinity in the development of male characters. Such concepts have dominated the Korean Wave scholarship over the past decades; however, they are possibly insu cient in explaining the new phase that K-dramas have entered in the era of digital streaming services.
popularity of Korean media texts in countries outside of Korea reflects an increase in cultural flows facilitated by a proliferation of new technologies. The transnational popular-culture texts featured in this article are Korean dramas. We examine how young people around the world accessed and developed con nections to Korean dramas' images ...
The Korean Popular Culture Reader on JSTOR
Over the past decade, Korean popular culture has become a global phenomenon. The "Korean Wave" of music, film, television, sports, and cuisine genera...
Pop City: Korean Popular Culture and the Selling of Place on JSTOR
Pop City examines the use of Korean television dramas and K-pop music to promote urban and rural places in South Korea. Building on the phenomenon of Korean pop...
comedy thriller detailing Korean class tensions, won the Palme d’Or at the 72nd Cannes Film Festival by unanimous vote, making Bong the first Korean director to win this award in the competition’s history.
East Asian Pop Culture: Analysing the Korean Wave on JSTOR
Introduction:: East Asian TV Dramas: Identifications, Sentiments and Effects Download; XML; The Growth of Korean Cultural Industries and the Korean Wave Download; XML; Renting East Asian Popular Culture for Local Television:: Regional Networks of Cultural Production Download; XML
Modern Korean Drama: An Anthology on JSTOR
Carefully selected and represented, the plays in this collectionshowcase both the fantastic and the realistic innovations of Koreandramatists during a time of r...
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418 - JSTOR
Pop City: Korean Popular Culture and the Selling of Place by Youjeong Oh. Ithaca, NY: Cornell University Press, 2018. 238 pp. 4 halftones. $42.95 (cloth). Hallyu scholarship of the past three decades has traced the elongated K-pre xed list of made-in-Korea products, including K-pop, K-drama, K-beauty, K-fashion, K-culture, and even K-food.
Konglish? Or Multilingual Practice? An Investigation of ... - JSTOR
This study investigates the ways that English is used in Korean subtitles as a mixed form of codes. Particularly, it examines the roles of subtitles and motivations for creating multilingual subtitles in Korean TV shows.
2015年12月26日 · Korean garb, Player Duke (Player King in Q2/F1) and Player Duch-ess (Player Queen in Q2/F1) recounted their love in ushinpa mood" (shinpajo, the way of speech of Korean shinpa or "new" drama) . On the other hand, the attire of Player Murderer (named Lucianus in Q2/ Fl) embodied cultural fusion: his red masquerade mask and cape were