Donald Judd - Wikipedia
Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism. [1][2] In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy.
Donald Judd | Biography, Art, Furniture, Architecture ...
Donald Judd (born June 3, 1928, Excelsior Springs, Missouri, U.S.—died February 12, 1994, New York, New York) was an American artist and critic associated with Minimalism. Credited as Minimalism’s principal spokesman, Judd wrote what is considered to be one of the most significant texts of the movement, “ Specific Objects” (1965).
Biography - Judd Foundation
Donald Judd remains one of the most significant artists of the twentieth century. His radical ideas and work continue to provoke and influence the fields of art, architecture, and design. Donald Clarence Judd was born on June 3, 1928 in Excelsior Springs, Missouri.
Donald Judd - MoMA
Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy.
Art - Judd Foundation
This section provides a selection of work by Judd including paintings, objects, drawings, and prints. The Donald Judd: Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 was published by the National Gallery of Canada, Ottawa in 1975.
Donald Judd Sculptures, Bio, Ideas | TheArtStory
Donald Judd was an American artist, whose rejection of both traditional painting and sculpture led him to a conception of art built upon the idea of the object as it exists in the environment.
Donald Judd – The Unwilling Maestro of Minimalism
2023年3月16日 · Donald Judd began his career painting in the late 1940s before transitioning to the discipline of woodcut, whose linear properties allowed him to transcend from figurative representations to more abstract creations.