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The New Criterion
14 小时
Morandi’s meditations
When you see a photo of Giorgio Morandi, you see a man who was always looking. Round, black glasses below a furrowed brow (or resting just above it); deep smile lines, the echo of a nose scrunched in ...
The New Criterion
22 小时
Beethoven & Nielsen, done justice
Beethoven’s middle movement, Largo, is in E major. Bronfman played the opening like a hymn. The music had a religioso feeling ...
The New Criterion
1 天
Baroque blood & gore
Most art lovers know Jusepe de Ribera’s The Club-Footed Boy (1642) in the Louvre, but much of his work can get lost among the ...
The New Criterion
1 天
Nonprofit nabobery
the building will be a unique asset for champions of social justice across sectors and geographies—a vibrant, fully ...
The New Criterion
1 天
Bernie Marcus, 1929–2024
I t is with great sadness that we report the death of Bernie Marcus, who died last month in Boca Raton, Florida, at the age ...
The New Criterion
1 天
Manet ’round the family
A Model Family” at the Isabella Steward Gardner Museum, Boston.
The New Criterion
1 天
Sharing is caring
Each week the editors of The New Criterion offer recommendations on what to read, see, and hear in the world of culture in ...
The New Criterion
1 天
Blaisin’ in the sun
Daniel J. Mahoney on “A Summer with Pascal” by Antoine Compagnon, translated by Catherine Porter.
The New Criterion
1 天
Fashioning history
Brooke Allen on “All the Rage” by Virginia Nicholson.
The New Criterion
1 天
West End boys
The world did not end on time. The Doomsday Clock, tightly wound by members of the Bulletin of the Atomic Sciences since 1947 ...
The New Criterion
1 天
Old fools
Infinite are the numbers of fools,” as one of the exhibition’s wall quotes from the Douay-Rheims Bible (1582) has it. The ...
The New Criterion
1 天
Faux fascisti
In Whit Stillman’s film Barcelona (1994), there is a scene in which Chris Eigeman’s character, an American naval officer in ...
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