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The New Criterion
4 天
Nonprofit nabobery
the building will be a unique asset for champions of social justice across sectors and geographies—a vibrant, fully ...
The New Criterion
4 天
An interview with an Old Masters dealer
I m eet the Old Masters dealer Ben Hall at his private Upper East Side gallery and office, which sits in a five-story ...
The New Criterion
3 天
Beethoven & Nielsen, done justice
Beethoven’s middle movement, Largo, is in E major. Bronfman played the opening like a hymn. The music had a religioso feeling ...
The New Criterion
4 天
Blaisin’ in the sun
Daniel J. Mahoney on “A Summer with Pascal” by Antoine Compagnon, translated by Catherine Porter.
The New Criterion
5 天
Belgium’s answer to Queen Victoria
David Platzer on “Louise d’Orléans, First Queen of the Belgians: A Romantic Destiny” at the Musée Condé, Château de Chantilly ...
The New Criterion
4 天
Baroque blood & gore
Most art lovers know Jusepe de Ribera’s The Club-Footed Boy (1642) in the Louvre, but much of his work can get lost among the ...
The New Criterion
4 天
Fashioning history
Brooke Allen on “All the Rage” by Virginia Nicholson.
The New Criterion
4 天
Ghiberti versus Donatello
Eric Gibson on the influence between the two contemporaries.
The New Criterion
4 天
Old fools
Infinite are the numbers of fools,” as one of the exhibition’s wall quotes from the Douay-Rheims Bible (1582) has it. The ...
The New Criterion
4 天
A monumental park
Michele H. Bogart on the statues of Central Park.
The New Criterion
5 天
Bruckner, from Berlin
The Berlin Philharmonic has many standouts. Stefan Dohr is one of the best horn players in the world, and one of the best, ...
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