Meller has argued his creation is Duchampian. “Where Marcel Duchamp refused us the ability to see art in the same way as before, Ai-Da refuses us the capacity to look at the artist (and by ...

Taking another Duchampian trope as a prompt, Sugimoto decided to treat the stereometric exemplars as readymades (a term Duchamp used for objects that became artwork simply because the artist chose ...

Her own collages, made from trash and photos of trash, introduce each section. As does a half-comic series of directive ...

It’s time for institutions to have a chance to add these drawings to their collections because they are the most important works by this artist.” ...

“In terms of architecture, I see buildings as ready-mades, in the Duchampian sense. I see them as metaphors, and I respond to metaphors almost physically—I know whether a building is something I want ...

New Zealand, and much further afield were setting up their stalls with the works of over 400 contemporary artists within Sydney’s cavernous Carriageworks—overseen by Lisa Roet’s. “Best Booth”? No, ...

In the 1970s, Wynne was closely associated with the Fluxus movement via his mentor Ray Johnson, a seminal figure of Neo-Dada. His continued use of the double entendre stems from his Duchampian roots.

Editor’s Note: This article was originally published by The Art Newspaper, an editorial partner of CNN Style. Sotheby’s will ...

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70s pop culture Courant posits that his cinema offers an aggressive détournement to the French ...