Hildur Gudnadóttir, who won the best score Oscar for 2019’s ‘Joker,’ returned for the follow-up film that sought to expand the “vocabulary of the string instruments” from the first film.
“Women love bad boys.” Emil Wakim stops by as “a guy who happens to look like Luigi Mangione,” hasn’t paid for a meal in Brooklyn in days and is struggling with balancing a mirage of horny DMs and ...