In Vetri Maaran’s politically charged world, Vijay Sethupathi perfectly fits as Perumal aka Karupan aka Vaathiyaar (aka…you get the drift, right?), someone who is constantly in search of who he is and ...
Pushpa 2 takes off right where Pushpa 1 ends – but this time, the rivals, Shekhawat (Fahadh Faasil), Mangalam Srinu (Sunil) and a few new characters, join hands against Pushpa. But amidst a happy ...
RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong characters, perfect casting and a touch of realistic writing, it hits the right doors. With shades of The Shawshank Redemption, ...
An entertaining watch that is heartfelt but lacks depth in places. When a couple of years earlier, Netflix announced the documentary covering Nayanthara and Vignesh Shivan’s wedding, there was a lot ...
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering ...
The concept and clever setting of Sookshmadarshini reminds one of the Hitchcock classic Rear Window. Only that this time around, it’s more localized and relatable with the typical next-door women ...
It’s officially festive season and a long weekend, it’s time to spend some quality time with your friends and family. In Tamil, Sivakarthikeyan’s Amaran, Kavin’s Bloody Beggar and Jayam Ravi’s Brother ...
We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards. RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong ...
There are ever so few films where a city plays an important character, and even fewer films where women narrate stories. Payal Kapadia’s Cannes Winner ‘All We Imagine As Light’ excels at delivering ...
We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards. RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong ...
We see women being unapologetically themselves, even if they are flawed, or misunderstood, or do not conform to societal standards. RJ Balaji’s Sorgavaasal is a meandering prison drama but with strong ...
After a disappointing Sir/Vaathi, Venky Atluri delivers an engaging and relatable drama on racketeering starring Dulquer Salman and Meenakshi Chaudhary.