It looks like a noodly creature from deep under the sea. On a straw-yellow background, scattered with a few gray freckles in the top left and bottom right corners, two lines form a pencil-thin ...
Breton called him “the most thoroughly Surrealist of us all.” In Paris’s cosmopolitan swirl, Miro found in the figure of the Catalan peasant a means of evoking his regional identity—of ...